Archive for category Practicing an Instrument

Control versus Force While Practicing Music

 

More often than not, my students practice too fast. I have an article about finding the “correct” speed in which to practice something, but here is an often missed point of view.

When you play too fast, you’ll end up using force instead of control. This defeats the whole purpose of practicing. Using force creates tension. Repeating something while using force creates tight muscles, which creates more tight muscles and then even more tight muscles. There are various “tension techniques,” but even then you need control and not force. You can learn certain things by using force, but that tends to take a long time and become a robotic-like motion rather than something totally under your control.

Check it out when you next practice something. Are you using control or force?

 

Marty B.
http://buttwinickmusic.com

 

 

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Practicing Music at the Right Speed

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The purpose of practicing is to gain control over some element of music, whether ear training, technique or an isolated passage or riff. Part of gaining control is eliminating hesitations, jerkiness and uncertainty. The goal is having complete “ownership” over what you are doing: you want to “know” that thing in and out.

For ear training, chose the speed that allows you to listen, duplicate and understand what you are hearing. Repetition and focus are key. You might need to play and listen to something hundreds of times before really getting it, and you will improve to the degree you are focused. When you are focused you are “there.” Only when you are there can you duplicate or learn something.

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Guidelines for Practicing a Musical Instrument

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  1. Be there. Have your attention on what you are doing.
  2. Be willing to learn something. You cannot learn if you think you know it all already.
  3. Understand what you are practicing and why you are practicing it. Keep you personal goals in mind and aim for that result.
  4. Accept the fact that learning to play well doesn’t happen over night. Learning musical skills take time. You could learn certain small motions or ear training topics in a few minutes, but you need to invest enough hands-on repetition to develop stable skills. A beginner can take anywhere from twenty to seventy hours of practice to even begin to get the feel of things.
  5. Learn to relax your body when playing. Accumulated tension is one of the biggest causes of body problems, rough playing and a host of ills. There are about 120 muscles, bones and tendons in both forearms and hands, and all of these “parts” are learning new motor controls. While you are learning control you will get tense. It is natural to use force to do something until control is developed. Not being relaxed when you play is like driving a car with the brakes slightly depressed. The brake pads are going to wear out real fast and you’re in for a bumpy ride. Notice and release tension when you play. Tension can occur in any part of your body: hands, wrists, arms, neck, shoulders, lower back, face, mouth, legs, feet.
  6. Learn how to practice at the “right” speed. To play anything well you need to develop complete control over what you are doing. Control is developed by repetitive actions at the speed that you can actually do the thing you are suppose to be doing. If you go too fast you can’t “grab a hold” of whatever it is and it’s like screeching around a corner in a car while driving too fast in the mountains. Go too fast and you end up in the trees. (And if you ever got mad and frustrated while practicing I bet you were just going to fast!)
  7. Understand the words and symbols on any written materials you are using. (I was giving a kid a piano lesson recently and she almost fell asleep in the middle of her lesson, but was bright and awake when she walked in. I snooped around and discovered that there was one symbol in a song book that her dad got her that sent her under the table. I found the symbol, defined it for her and she instantly brightened up and came back to life.)
  8. Learn to sing in tune if you don’t already, regardless of the instrument you play. If you can’t, this is easier to learn then you might think. It’s almost impossible to fully enjoy playing music if your ears aren’t working, and the way to train your ears is to sing. I don’t mean singing as a vocalist but as a musician. This just means to be able to hit the right notes with your voice without any attention on how it sounds.
  9. Develop a good sense of rhythm. Having good rhythm is vital, probably the most vital aspect of being a musician. Good rhythm can be developed with the proper drills. If your sense of rhythm is really bad it could take some time; however, you CAN develop good rhythmic ability with efficient instruction and drilling.
  10. Realize that people progress at different speeds according to current skill levels, past experience and inherent ability. Only compare your self to yourself, and if you want to move faster than you are, fine tune your practice approach and put in more hours.
  11. Have fun. Music isn’t worth doing if you can’t have some fun while doing it. Not all studies are fun — many things aren’t. But there is always a way to make some part of what you are doing fun and rewarding.

Contact me if you would like some personal coaching in these areas!

Marty B.
(818) 242-7551

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Physical Tension Indicators

This is an brief expansion of the post “Technique Practice Changes Life Patterns.” I’ll be expanding this over the next month to be even more specific.

On Guitar/Bass:

  • Too much hand squeezing showing whites under the finger nails.
  • Left shoulder raised an inch or two. (The other shoulder for lefties.)
  • Mouth muscles are tight, lips are tight as well.
  • Harsh picking sound, not smooth. Commonly just holding the pick too tight. (Unless doing a tension/shredding technique, where it needs to be held tightly.)
  • Tight jaw.
  • Tight neck.
  • Lower back gets sore quickly.

On Piano/Keyboard:

  • A shoulder raises an inch or two.
  • Mouth muscles are tight, lips are tight as well.
  • Tight jaw.
  • Tight neck.
  • Lower back and/or shoulders get sore quickly.
  • Feet go up and are resting on the toes.
  • Hands are stiff therefore the sound is stiff.

And the remedy for any of these?

Notice and release tension while practicing!

And this is actually a skill that can be developed.

Very interesting.

Marty B.

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Technique Practice Changes Life Patterns

An interesting phenomena is when a student learns to relax when practicing, a physical-tension awareness increases. When one learns to notice and release tension while playing, one generally becomes more aware of physical tension while living!

Noticing body tension, and developing an ability to release it, can actually be life changing.

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