Posts Tagged Guitar

Chord Technique on Guitar and Bass

 

Does it take you a long time to learn a new chord?

Do you want the secret to quickly learning new chord shapes?

Applying this write-up could dramatically speed your progress!

Contrary to common belief, fingering chords is a matter of control, not strength. While your first bar chords takes some strength development, control is what you need. And control is developed with slow and focused repetition.

Learning chords on a guitar or bass is simply a matter of muscle memory. According to a physical therapist student of mine, it can take up to 3,000 repetitions to establish the muscle memory of a specific motion. That’s a lot of repetitions! I’ve had students learn new chords in a shorter period of time as well, because they already knew many of them, or they had very coordinated hands. There is always a time variable, and nothing is absolute.

(I once had a beginning guitar student who learned every technique point perfectly the first time which was quite impressive. He was a slight-of-hand magician and could shuffle a deck of cards in each hand at the same time so his hand/finger dexterity was unbelievable. Wow!)

The following exercise is a technique for learning chords I’ve used for years that works like a charm. (If you are left-handed just reverse the instructions.)

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Guitar and Bass: Which Way is Up?

Learning what “up or down the neck” means is one of the funniest things about learning beginning bass and guitar. This has perplexed and embarrassed more adult students then almost any other point! (Almost…)

Musically, the words “up” and “down” most often refer to pitch. “Pitch” is the highness or lowness of a note determined by how fast the string is vibrating. (More about pitch at the glossary at my website.)

An open guitar or bass string vibrates at a certain speed. When you press the string down to a fret, it shortens the string thereby making the string vibrate faster and the pitch higher. When you play notes going from the head of the instrument towards the sound hole, or pickups, the pitch’s are getting higher and is called going “up” the neck. Using a vertical guitar as an example, going up the neck is going down in gravity, and going down the neck is going up in gravity! So down is up and up is down!

It can take a while to get used to this when learning to play. Often enough I’ll say “move your finger down one fret” and the student moves it according to gravity instead of pitch, laughs then corrects the motion. This becomes rather humorous after the 20th or 30th time it happens. Some people get used to this after a few weeks, though most actually take a few months to stabilize this concept.

After all, we’ve been dealing with gravity longer than dealing with vibrating strings!

Marty B.

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Favorite Music Quote #10

 

 

“Music doesn’t lie. If there is something to be changed in this world, then it can only happen through music.”

Jimi Hendrix

 

 

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Direct Result of Analyzing Metal (Music)

 

 

Last month I put out a blog about analyzing heavy metal.

Here’s the real-life application!

Music Lessons Payoff in The Real World

 

(Keep an ear open for Guitarist Alex Edwards in the upcoming year!)

 

 

 

 

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Metal and Classical (Music) Analysis Blog

 

Check out my new blog about analyzing metal and classical music. Short but possibly informative!

 

Beethoven

http://aboutmusiclessons.blogspot.com/2010/04/metal-analysis.html

 

Avenged Sevenfold

 

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Pro Musicians’ Tips #1 of 4: About Instruments & Equipment

 

As a supplement to the large bodies of valuable information available, these lists of “Pro Musicians’ Tip” has been compiled from years of personal experience, observing others and by personal survey of about a dozen working professionals spanning all echelons of the business from local clubs to major-venue players and stage hands. In my book, How To Make A Living as a Musician, these were listed as appendix material, called “Miscellaneous Tips & Advices.” These tips represent dues well paid over many, many years. Though this is a hefty list, there are hundreds of other tips around to be discovered. Use them to enhance your prosperity as a musician!

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How To Make A Living as a Guitarist

 

MHTS Web Logo Final

 

 


This is the original, unedited version of my GUITAR PLAYER magazine article called “FREELANCING — How To Get Hometown Gigs Now!” (Nov 95) It is a summation of what it takes to be a successful freelance guitarist. GUITAR PLAYER magazine loved my main book and wanted a condensed version for the guitar players of the world… so I gave them one!

 

 

 

Many guitarists want to make a living in the music business. You get an instrument and learn to play because it looks fun, exciting or cool—and off you go. After awhile you’re jamming, and making a career with music sounds like a good move. At some point this “good move” can become a fruitful career… or a disaster.
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The Basics of Jamming

The Musicians' How-To Series

The Musicians' How-To Series

 

THIS ARTICLE WAS PROMPTED by the many questions I’ve been asked by students wanting to play with friends but not really knowing what to do. Not everyone is a natural jammer. Even if you are, it can be easy to run out of things to do. Even if you know some chords, licks and songs, putting it all together with someone else’s chords, licks and songs can be a mystery. And can you still jam if you don’t know any songs or licks but only a few chords? You sure can—as long as everyone’s reasons for jamming are at least similar.

As rehearsing and professional playing entail group attitudes so does jamming at beginning and intermediate levels. More than one person playing at the same time is a group and needs to be treated as such. For example, selfish jammers aren’t always fun to play with and someone too shy to play a note might have a hard time at first. The less experienced a person is, the more boldness could be needed, while a more advanced person might need to have patience with those who don’t know as much or aren’t as nimble on their instrument.

Jamming is a mutual creation. We jam to have fun, to work out ideas, experiment with equipment, and many things. If someone solely wants to see how his rock licks sound through the new amp while the others want to play music focused on personal interaction that jam is not going to work. Goals must be aligned.

I have logged hundreds of hours coaching beginning and intermediate musicians how to jam. The bottom line is having compatible goals and comparable playing levels. Match up these two elements, add on something to play, and you’ve got yourself a jam. Some fundamentals are contained the article, “Musicians’ Roles.”
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