Posts Tagged Music

Control versus Force While Practicing Music

 

More often than not, my students practice too fast. I have an article about finding the “correct” speed in which to practice something, but here is an often missed point of view.

When you play too fast, you’ll end up using force instead of control. This defeats the whole purpose of practicing. Using force creates tension. Repeating something while using force creates tight muscles, which creates more tight muscles and then even more tight muscles. There are various “tension techniques,” but even then you need control and not force. You can learn certain things by using force, but that tends to take a long time and become a robotic-like motion rather than something totally under your control.

Check it out when you next practice something. Are you using control or force?

 

Marty B.
http://buttwinickmusic.com

 

 

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Favorite Music Quote #9

Plato

 

“Music and rhythm find their way into the secret places of the soul.”

Plato

 


 

Quote provided by the awesome singer, Tricia Kelly, with the Jeannie Deva Voice Studios in Hollywood. I played a gig with her a little while ago and she rocked!

 


 

 

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Pro Musicians’ Tips #2 of 4: Cords, Earplugs & Gloves!

 

As a supplement to the large bodies of valuable information available, these lists of “Pro Musicians’ Tip” has been compiled from years of personal experience, observing others and by personal survey of about a dozen working professionals spanning all echelons of the business from local clubs to major-venue players and stage hands. In my book, How To Make A Living as a Musician, these were listed as appendix material, called “Miscellaneous Tips & Advices.” These tips represent dues well paid over many, many, years. Though this is a hefty list, there are hundreds of other tips around to be discovered. Use them to enhance your prosperity as a musician!
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Pro Musicians’ Tips #1 of 4: About Instruments & Equipment

 

As a supplement to the large bodies of valuable information available, these lists of “Pro Musicians’ Tip” has been compiled from years of personal experience, observing others and by personal survey of about a dozen working professionals spanning all echelons of the business from local clubs to major-venue players and stage hands. In my book, How To Make A Living as a Musician, these were listed as appendix material, called “Miscellaneous Tips & Advices.” These tips represent dues well paid over many, many years. Though this is a hefty list, there are hundreds of other tips around to be discovered. Use them to enhance your prosperity as a musician!

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The Interval Song by Django Bates

 

 

 

Every interval in the chromatic scale, set against a Latin jazz backdrop by Django Bates. Music theory made fun!

 

Thank you Django!

 

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The Musicians’ Basic Gig Checklist

 

MHTS Web Logo Final

 

 

 

The Musicians’ Gig Checklist lays out all the things you could need at a gig: a fuse can blow, a string can break, a strong wind can blow your music off the stand, your guitar battery could go dead or you could be swarmed with bugs on a hot day. It’s a drag to be at a gig and not have something that you need, and knowing the possibilities prevents potential disasters.

 

 


    BASIC SET-UP

  1. Instrument(s), cables, wiping cloth and any needed accessories your instrument needs. E.g., extra reeds for sax players, valve oil for brass players, rosin for string players, etc.
  2. Amp, if not acoustic
  3. At least one extra instrument cable if playing an electric instrument
  4. An extension cord, three prong adapter, junction box and a small flashlight
  5. Any tools you use (screwdrivers, pliers, keyboard stand tighteners, drum key, etc.)
  6. Instrument tuner
  7. Extra fuses for your amp
  8. Extra batteries if you use them
  9. Extra strings if a string player with a wire cutter and extra picks if a guitarist or bassist
  10. Effects units with all the cables if you’re using these
  11. Anything else you might need, i.e., a towel if you sweat a lot, a hygiene bag, umbrella, rain boots, musicians’ earplugs for extremely loud music, etc.
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Slang Terms and Physical Gestures Every Musician Should Know

 

The Musicians' How-To Series "How to Run a Band"

 

Professional musicians have developed certain slang terms and “sign language” gestures to communicate various instructions to the other musicians on the stage. Knowing these is an important part of being a functional, gigging musician.

 

These are a few “must know” terms for any working musician or singer.

 

  1. Bows, walk-ons, intros and play-ons — Specialized music used to introduce people when they are to “take a bow.” This music usually consists of short, well known melodies from popular songs or orchestral works. Bows are used for exiting as well as for making an entrance. Here they are called bows, walk-offs, outros and play-offs.
  2. Calling tunes — Deciding what the next tune to play will be, and telling the rest of the band about it.
  3. Count off — Counting aloud before the tune starts to establish the tempo and meter (how many beats in a bar).
  4. Cue — A physical gesture, audio signal (specific melody, rhythm, lyric, etc.) or lighting effect, signaling that some change is going to happen.
  5. Fingers in the air — either designate what chord you are on, or what key you are in. A “I chord” would have one finger in the air, a “IV chord” would have four. For showing what key you are in; fingers going up represent sharps, while fingers going down represent flats. Since the “Key of G” has one sharp, one finger going up is the “Key of G.” Since the “Key of F” has one flat, one finger going down would be the “Key of F.” (Definition: Roman numerals have been used as chord symbols for hundreds of years. A chord built from the first note in a scale is called the “I” chord, a chord built from the fourth note in a scale is called a “IV” chords, etc.)
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How To Run a Band

The Musicians' How-To Series "How to Run a Band"

 


This article outlines the “executive” functions that can lead a band to success. One of the main reasons why a band can fail, or move slowly is lack of organization and leadership. Someone has to steer the boat. This article outlines the basic functions that HAVE to occur in order to succeed. Some subjects mentioned are: planning and goal setting, marketing, finances, gigging, internal and external communication factors, public relations and important basic policies.

 

ORGANIZATION CONSISTS OF coordinating activities, things and people in order to achieve the stated goals. This would encompass how many gigs a week you want to do, what kinds of gigs you want to do, and any other aspect involved.

Here are some specifics about band/group running no matter what kind of group it is. These are group specifics that a band leader needs to be responsible for to ensure his show gets on the road—or to a club, or a casual, or a concert.

 

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