Posts Tagged Trumpet

What Kind of Gigs Do Musicians Play for Money?

 

Making it as an original artist or session player are goals of many musicians and singers. Until a person achieves these ranks in the music business – how does a musician make a living? My students asked me this question for years and here’s the info. This article covers traditional instruments, as computer driven music is a topic for another article.

Since different instruments provide different functions in the music biz, e.g., soloing, playing accompaniment, etc., the gigs they get follow accordingly. Though I primarily cover the more popular instruments, many classical instruments will be mentioned. If you don’t know what these instruments are, or what they sound like, I suggest going to a library and checking out CD’s that describe and demonstrate them. There are also a number of excellent computer programs that do this if you’re set up for it.

The purpose of this article is to expose you to the types of gigs different instruments are used for. I mention how gigs are gotten, though complete information is covered in my “MUSICIANS’ HOW-TO SERIES.” Here are the usual calls:
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Favorite Music Quote #9

Dizzy

“It’s taken me all my life to learn what not to play.”

 

Dizzy Gillespie

 


John Birks “Dizzy” Gillespie [/gɪˈlɛspi/] (October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, singer, and composer.

Together with Charlie Parker, he was a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Fats Navarro, Clifford Brown, Lee Morgan, and John Faddis.

In addition to featuring in the epochal moments in bebop, he was instrumental in founding Afro-Cuban jazz, the modern jazz version of what early-jazz pioneer Jelly Roll Morton referred to as the “Spanish Tinge”. Gillespie was a trumpet virtuoso and gifted improviser, building on the virtuoso style of Roy Eldridge but adding layers of harmonic complexity previously unknown in jazz. Dizzy’s beret and horn-rimmed spectacles, his scat singing, his bent horn, pouched cheeks and his light-hearted personality were essential in popularizing bebop.


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